Posted on

‘Donnie Darko’ at 25: How a giant rabbit, time loops, and teen angst became a sci-fi cult classic

"Have you ever seen a portal?"

The term "cult classic" has been loosely bandied about in cinematic circles until its definition has diluted into nothingness, but never has it been more appropriately applied than to director Richard Kelly’s strange psychological sci-fi thriller, "Donnie Darko", which celebrates its milestone 25th birthday today.

Starring Jake Gyllenhaal, Drew Barrymore, Mary McDonnell, Maggie Gyllenhaal, Patrick Swayze, Jena Malone, and Noah Wyle, "Donnie Darko" was released on Oct. 26, 2001, into an unstable world still shocked by the catastrophic Sept. 11 terrorist attacks less than two months earlier.

The thrust of the narrative revolves around an alternative universe accidentally forming via a supernatural anomaly after a jet engine falls off a commercial airliner and crashes through the roof of a suburban Virginia home, landing in the bedroom of our troubled title character.

As the frightening phantom of Frank the Bunny warns, this parallel reality has a ticking clock that’ll result in its imminent collapse in just 28 days, 6 hours, 42 minutes, and 12 seconds.

From the haunting voice telling our heroic teen, "Wake up, Donnie," as the grandfather clock in the Darko residence ominously chimed midnight, to its exploration of the nature of mental illness, time travel paradoxes, fraudulent motivational speakers, teenage angst in the 1980s, and the logistics of interdimensional portals, "Donnie Darko" became an ideal parable for turbulent times.

But Kelly's post-modern sci-fi fantasy emerged on the big screen when there existed a pervading fear of gathering in large groups as America was just beginning to recover and process the atrocities committed on 9/11. Newmarket Films was perplexed on precisely how to market the movie, as it is such a unique combination of genres that forges something far greater than the sum of its parts.

Throughout that entire fall, "Donnie Darko" came and went in multiplexes with barely a whisper, pulling in just over $500K off of a meager $4.5 million budget. Years later, it would become a bona fide word-of-mouth sensation via several re-releases, home video editions, and further experiences in regularly sold-out midnight screenings on its way to earning cult status.

"Donnie Darko" celebrates its 25th anniversary on Oct. 26, 2026. (Image credit: Newmarket Films)

It's a deeply personal film that will affect any viewer who allows its meticulously slow build to seduce them into its dreamlike sphere. Much has been debated and discussed about its many metaphors and symbolism, which employed elements of a splintered universe long before the multiverse was hijacked by Hollywood superhero spectacles. It’s a raw meditation on death more than anything, and its labyrinth of quantum entanglements feeds our existential core.

"I remember pulling over to the side of the road to finish reading Richard's script and being mesmerized," Gyllenhaal told The Guardian. "It was clearly influenced by classic directors—Ron Howard, Steven Spielberg—but with this strange psychosis. It beautifully captured the experience of moving into adulthood: the world that felt so solid becoming movable and liquid. I thought, “This is what my adolescence felt like,” although I don’t speak, and have never spoken to, rabbits."

Kelly was just 23 years old when he penned the "Donnie Darko" screenplay in only 28 days based on his own adolescence growing up in Virginia during the ‘80s. Coincidentally, that is the exact number of days Frank the Bunny declares will mark the end of the world, and it is also the same amount of time taken to complete the Southern California production shoot in 2000.

Layered with ‘80s pop anthems like Echo & the Bunnymen's "The Killing Moon," Tears for Fears' "Head Over Heels," The Church's "Under the Milky Way," and Gary Jules' melancholy cover of Tears for Fears' "Mad World," Kelly's mysterious coming-of-age masterpiece still offers up a lucid nightmare tinged with a touch of consuming dread that lingers long after any screening.

Kelly did release a director's cut in 2004 that adds extra footage and alters the soundtrack, but we recommend the original theatrical cut for the purist’s version of this classic!

Considering today’s political strife, climate change concerns, AI paranoia, pharmaceutical overlords, and alienated youth culture, "Donnie Darko" and its 1988 election year setting still seems to have its finger on the zeitgeist's pulse, continuing to present provocative questions.

This Halloween, check out "Donnie Darko's" mind-warping weirdness on this 25th anniversary occasion and let no one ever question your commitment to Sparkle Motion ever again!

Posted on

Sci-fi legend Alan Dean Foster on his new futuristic adventure ‘Lost On Paradise’: ‘It’s paradise until you get there, and then maybe you mess it up’ (interview)

Few names in the science fiction literary world carry as much weight and respect as author Alan Dean Foster. His award-winning 55-year career as a grandmaster of the genre continues with his latest novel from Blackstone Publishing, "Lost on Paradise," and we have an exclusive excerpt to share with our readers ahead of its release this week.

Foster famously ghost-wrote the first "Star Wars" novelization for George Lucas in 1976 and "Splinter of the Mind’s Eye" in 1978, which was intended to be a low-budget "Star Wars" sequel should the space opera not become a hit. He’s been a mainstay for go-to fantastic adventures featuring engaging characters, dynamic plotlines, and imaginative worlds for six decades.

In addition to crafting the screen story for "Star Trek: The Motion Picture," Foster also wrote the novelizations for the first three "Alien" films, Disney's "The Black Hole," John Carpenter's "The Thing," "The Last Starfighter," "Star Trek," "Transformers," "Terminator: Salvation", and many more.

Lost on Paradise by Alan Dean Foster: $19.99
New York Times bestselling author Alan Dean Foster, master of both action and emotion, reveals a world where everything is perfect, but nothing is as it seems…View Deal

The near-future, off-world escapades of "Lost On Paradise" are the latest addition to Foster’s acclaimed bounty of bestselling standalone novels and series, including the popular "Spellsinger" series.

"Earth is crowded, polluted, and dismal," states the novel's synopsis. "Like millions of others, Jonos and Liina scrape by on her poorly paying job and what little money he gets selling items scavenged from rich people’s trash. Like millions of others, Jonos and Liina dream of Paradise.

The colorful cover of a science fiction novel

A brilliant cover design heralds the arrival of Alan Dean Foster's latest novel (Image credit: Blackstone Publishing)

"Paradise: a beautiful, clean, verdant world where three races live in harmony—at least, according to the videos sent back to Earth. There are the Eiquan, masters of astonishing technology; the Lusanata, hunters and farmers; and humans, who may be restricted to a few scattered settlements, but still live a life ten times better than those on Earth.

"On the run after a criminal act, Jonos and Liina finally escape to Paradise. It's everything they hoped for. Until tragedy strikes."

The genesis of Foster's "Lost on Paradise" is something that’s been percolating in his fertile mind for many years.

"I had this notion of a planet called Paradise where everything is perfect, and everything on Earth is seriously messed up," Foster tells Space. "There’s this couple who have problems; they’re poor like everybody else.

"And you have a unique male protagonist because he recognizes that his female partner is smarter than him, so she’s the brains of the outfit, and he supplies the muscle. Although he's not stupid. Too often you get a big, hulking guy with no brains. But she has a potentially fatal disease, and they’re trying to get away like a lot of poor people in the world today. So here's a place called Paradise. How do you get there? It’s expensive and difficult. And what happens if they do? Maybe Paradise isn’t always Paradise."

a promo poster for a new sci-fi novel

"Lost On Paradise" lands on Oct. 20, 2026 from Blackstone Publishing (Image credit: Blackstone Publishing)

In crafting a deteriorating New York some 150 years or so down the calendar, it was important to stay sharp regarding developments that pop up in the news to avoid any internal logic conflicts.

"You just don’t want to get caught out by a scientific development that you postulate is near future when it's actually contemporary," explains Foster. "So I was very careful with that. But as you’re building out an alien environment and one that’s supposed to be perfect and beautiful, and then there’s maybe some things about it that aren’t, what do you introduce to show that?

"You don’t want to contradict yourself when you’re worldbuilding. That's a large problem that’s unfortunately common in science fiction," notes Foster. "Where somebody is breathing air, and suddenly they’re breathing methane, and it just doesn’t work. There’s a lot of different variables that come together that prove that Paradise is Paradise in some ways and not in others. A good example would be when the first Europeans reached Tahiti. The problem was that the people who entered this Paradise brought venereal disease and smallpox, to which the Polynesians had no resistance. So it's Paradise until you get there, and then maybe you mess it up."

Now enjoy our exclusive chapter excerpt from Alan Dean Foster’s "Lost On Paradise." Published by Blackstone Publishing.

Why shouldn’t a man and a woman in his and Liina’s position try to get to Paradise? Jonos mused as he treaded his way homeward. Though morning continued its ascent, the sun did not. Or so it seemed, when the omnipresent pollution often rendered day as dark as night. The gloom was useful for masking scavenging activities and for concealing one’s identity. It was less suitable for more plebian activities such as breathing and eating. Or living. Life on Earth sucked.

But on Paradise…

To emigrant humans it went without saying that Paradise was aptly named. Everyone had heard the stories. On Paradise a person could breathe freely. Without a mask, without fear of needing lung implants, without having to worry about inhaling a soupçon of strychnine or similar industrial pollutants. On Paradise food was plentiful and fresh, water devoid of contaminants. There was work, too, for anyone willing to adapt to entirely new surroundings, for those willing to acknowledge the much-talked-about overlordship of the dominant species. For arrivals willing to submit to the experimental, ever-evolving social structure, and to the limitations that were placed on newcomers, the technologically superior Eiquans professed an indifference that amounted to a willing welcome.

Or so the compendium of hugely diverse anecdotes insisted. That’s all they were, Jonos knew. Stories and speculation, rumors and conjecture. Ignoring the spotty rain that had begun to fall, he turned a corner and nearly ran over a couple who scrambled to get out of his way. The man he had accidentally jostled started to say something, quickly realized the size of the individual he was about to chastise, and mumbled on his way, dragging a woman—likely his wife—with him. Jonos paid them no mind. Half of him was engaged in navigating his way home, the other half in dreaming of what Paradise might actually be like.

In truth, he had never met anyone who had actually been to Paradise. He had never met anyone who knew anyone who had been to Paradise. That did not make the distant world any less real. The media periodically released vits and images of the place. These showed an Earth-like planet swathed in an atmosphere perfectly suitable for humans. The indigenous wildlife was fascinating, the few but thriving, improvised communities intriguing, and the rarely seen Eiquans themselves tall, gracile, and sophisticated. So what if they weren’t humanoid? They were bisymmetrical, anyway, highly intelligent, and by all accounts no worse than indifferent to the interests of other species. So beautiful and graceful was their slender physicality, so mellifluous their speech, that even though they were quite alien the idea of living among them held no fear for Jonos.

Anything, he knew, would be a step up from Earth.

Lost on Paradise by Alan Dean Foster: $19.99
New York Times bestselling author Alan Dean Foster, master of both action and emotion, reveals a world where everything is perfect, but nothing is as it seems…

Posted on

Can’t make it to the Lucas Museum of Narrative Art for the ‘Star Wars’ display? This is the companion book set you’re looking for!

Taschen, purveyors of fine art and design special-edition books, have teamed up with George Lucas and his newly opened Lucas Museum of Narrative Art in Los Angeles to present a masterful two-volume catalog of the museum’s illuminating offerings.

Housed in a sturdy slipcase, readers will discover a pair of lavishly illustrated volumes spanning 832 pages and tipping the scales at nearly 14 pounds. At $200 for the pair, it's not cheap, but look on the bright side; hoisting these illustrated tomes will save you a subscription to your local gym!

This immersive collection documents in great detail the astounding scope of rare items on display in Lucas’s treasury of paintings, murals, photographs, sculptures, posters, comic strips, illustrations, costumes, and magazine covers that have spurred humankind’s imagination.

Developed in collaboration with George Lucas and the Lucas Museum of Narrative Art, this extensive two-volume catalog brings together an unparalleled collection of narrative art.View Deal

We'd absolutely recommend checking out the Lucas Museum of Narrative Art in person if you can.

Our own Chelsea Gohd visited the Los Angeles-based museum ahead of its opening in September 2026 and adored it. But if you're not a California local, getting lost in this collection's glossy pages is the next best thing to roaming the museum exhibitions on a rainy afternoon.

Volumes I and II of Tashen's stunning "Lucas Museum of Narrative Art" edition (Image credit: Taschen)

Far beyond a mere companion to the marvels inside the fantastic spaceship-shaped building poised near the University of Southern California campus — the same institution where Lucas attended film school in the late 1960s — these bold editions are an adventure in their own right.

Waiting to be absorbed is an impressive assortment of storytelling expression that showcases beautiful works by everyone from Maxfield Parrish, N.C. Wyeth, and Norman Rockwell to Frank Frazetta, Jack Kirby, and Ralph McQuarrie. Lucas and his wife, Mellody Hobson, curated the museum’s contents that represent decades of collecting narrative art in all of its forms.

From Taschen's "Lucas Museum of the Narrative Art" catalog (Image credit: Taschen)

Our friends at Taschen were gracious enough to send us one of these Lucas Museum of Narrative Art special editions, and in unboxing this magnificent pair of books, one can feel the quality in the deluxe binding and thick covers. Inside you’ll find an eye-popping array of full-color photography and sharp descriptions for hundreds of artworks, all hand-picked by Lucas and Hobson.

Lucas himself delivers the preface, which is titled "The Art of Story," where he professes his love of art, myth, anthropology, illustrators, and cinema. He recalls when he came to meet his mentor, Professor Joseph Campbell, and how he amassed 40,000 pieces of art beginning when he was a student at USC.

From Taschen's "Lucas Museum of the Narrative Art" catalog (Image credit: Taschen)

The great director Guillermo del Toro provides a heartfelt foreword praising the importance of the museum and these prestigious companion volumes depicting a multitude of visual wonders.

Between the duo of volumes, sections are divided into chapters dealing with topics such as history, children's stories, the American West, everyday life, romance and adventure, photography, science fiction and fantasy, and, of course, Star Wars in Motion.

From Taschen's "Lucas Museum of the Narrative Art" catalog (Image credit: Taschen)

They take you on an overwhelming journey through the gallery’s incredibly diverse holdings, not least of which are archival items and concept art chronicling Lucas's involvement in the galaxy far, far away.

This remarkable "Star Wars" section will be of particular interest to sci-fi aficionados, as it contains 100 pages of original props, paintings, concept artwork, costumes, models, and digital renderings created by some of Lucasfilm and Industrial Light and Magic’s best and brightest talents.

From Taschen's "Lucas Museum of the Narrative Art" catalog (Image credit: Taschen)

Taken with the rest of the 832 combined pages of Taschen's ambitious release that fully captures the dizzying breadth of the Lucas Museum of Narrative Art, it's a brilliant keepsake to spark your soul and imagination.

The Lucas Museum of Narrative Art two-book collection is available now via Taschen's website and Amazon.

Developed in collaboration with George Lucas and the Lucas Museum of Narrative Art, this extensive two-volume catalog brings together an unparalleled collection of narrative art.View Deal

Posted on

New ‘Blade Runner 2099’ trailer is a space fan’s dream with sinister starships and strange exoplanets (video)

Cue the depressing rain, dark trench coats, and a dire dystopian dirge because the Blade Runner 2099 trailer is here!

Cyberpunk is charging back in confident fashion with Prime Video's latest detour into the neon-drenched dystopia of humans and rogue replicants first introduced in director Sir Ridley Scott's "Blade Runner" from 1982, then revisited in Denis Villeneuve's "Blade Runner 2049."

Arriving Nov. 25, 2026, "Blade Runner 2099"'s plot turns the tables as resentful artificial beings are now the ones running the show and hunting down Earth’s humans after a successful uprising against their original makers.

This newest atmospheric trailer was unveiled at last week’s New York Comic-Con and has us totally jacked to re-immerse ourselves in that noirish futuristic realm.

Check it out below:

It’s executive produced by showrunner Silka Louisa ("Shining Girls”) and stars Oscar winner Michelle Yeoh ("Everything Everywhere All at Once") as Olwen, playing a fading replicant Blade Runner who joins forces with Hunter Schafer’s ("Euphoria") Cora, a pure human on the run attempting to evade a squad of exterminating Blade Runners while examining their existential natures.

But aside from the dazzling visuals of the City of Angels at the gates of the 22nd century, fans will also be strapping in for some cool outer space action, as evidenced by fresh footage delivering some arresting scenes of space travel, off-world planets, and Yeoh in a bizarre helmet.

"Blade Runner 2099" hits Prime Video starting on Nov. 25, 2026 (Image credit: Prime Video)

"Blade Runner 2099"'s cast includes Dimitri Abold ("The Hunger Games: The Ballad of Songbirds & Snakes") and Lewis Gribben ("Somewhere Boy”) alongside Katelyn Rose Downey ("The Nun II"), Daniel Rigby ('Renegade Nell"), Johnny Harris ("A Gentleman in Moscow"), Amy Lennox ("Only Child"), Sheila Atim ("The Woman King") and Matthew Needham ("House of the Dragon”).

Launching with an 8-episode debut season and executive produced by Scott Free Productions, "Blade Runner 2099" and its new world order lands on Prime Video on Nov. 25, 2026.

Posted on

‘Lanterns’ shocking finale left us with a lot of unanswered questions for a potential season 2

HBO and HBO Max's "Lanterns" served up its big cliffhanger finale on Oct. 4, 2026, and we’ve been slowly digesting thoughts on what the creative direction and ultimate legacy of this debut season were.

While by no means a perfect experiment in trying to shake up the aging superhero genre, there are enough worthy elements to consider this sci-fi mystery show an evolutionary step towards the next generation of comic-based storytelling.

After the emerald-tinted dust has settled, there are many lingering questions about where this acclaimed series from creators Chris Mundy, Damon Lindelof, and Tom King might be headed and where the twists and turns might lead for a sophomore season should it be greenlit (get it?) for a triumphant return.

Warning: Major Spoilers For "Lanterns" Season 1 Ahead!

a promo banner for a sci-fi superhero tv series

"Lanterns" redefines what is possible with episodic superhero TV shows (Image credit: HBO MAX)

One of "Lanterns"' standout achievements is revealing the true costs of superheroism by deconstructing its DNA and examining the ugly guts of it all.

It dives into the fear, trauma, and seduction that drive humans to take up the serious business of protecting the universe and doling out justice against both Earth-bound evil and intergalactic threats. "Lanterns" also explores mental health issues and PTSD that are the inevitable byproducts of a life of unimaginable violence. The compelling series achieves a provocative dissection of it all with rare confidence without the overindulgence of distracting CGI tossed in for sheer spectacle.

It might not have been exactly the Green Lantern TV series fans wanted, but it was the show we got, and kinda the show we needed. Sure, for a series about a noble order of intergalactic space cops, we were treated to very little cosmic action, and instead we're given a grounded slow-burn police procedural à la "True Detective."

As I said before, it's not perfect, but we shouldn’t dismiss "Lanterns" for its mild shortcomings when it gets so much right. We're willing a second season into existence, and with an average of 20 million global viewers and solid reviews, HBO/HBO Max would be very wise to bring it back.

Whether a second season shifts into the heavens to rocket off on an outer space trajectory for a follow-up season is yet to be seen. For now, though, the Lanterns season one finale has left us with plenty of questions to ponder.

Is Hal Jordan really dead?

a dead frozen man on a snowy bleacher

Kyle Chandler stars as Hal Jordan in "Lanterns" (Image credit: HBO MAX)

"Lanterns"' season finale revealed that Kerry, in an unhinged moment of maternal panic trying to protect her mutant son, Noah, had put a bullet in Hal's head. RIP to the original Green Lantern... or is it?

Kyle Chandler was a fantastic choice to play Hal Jordan, and he brought a charismatic gravitas and twisted sense of humor to the storied comic character. His sudden death in Rushville, frozen in the bleachers of the high school football stadium, certainly looked final, but this is the wild topsy-turvy universe of superheroes, so anything is possible.

And don’t forget that the newly-freed Thaal Sinestro (Ulrich Thomsen) told the AI “Halogram” and Aaron Pierre’s John Stewart on Antaan's dead planet that the magical green ring could be used to restore Hal’s life. But Sinestro is a sly, slippery foe and is never to be trusted!

Online speculation has proposed that Hal Jordan might be revived and enter the series as Parallax, the living embodiment of fear, but that’s not likely according to the series creators. What’s more probable is that we either see Chandler's Hal Jordan revived, or he'll just turn up in occasional flashbacks or Halogram pop-in scenes.

John Stewart goes rogue?

a green and gold magic superhero lamp

John Stewart prepares to power up his ring with Sinestro's yellow lamp! (Image credit: HBO MAX)

With his unsanctioned lantern battery now in hand to power his ring, Stewart has become an independent contractor protecting Earth for Guy Gardner’s (Nathan Fillion) Sector 2814.

Fortified with the Sinestro-forged yellow charging unit deemed illegal by the Guardians and the broader members of the Green Lantern Corps., this unattached Lantern is now free to make sure Noah doesn’t turn to the dark side and lean into his evil Manhunter programming.

Will Stewart be seduced into the path of corruption by using Sinestro’s emotionally tainted battery, or steel himself against ill influences and continue to blaze his own trail as Earth's sole protector for the time being?

As a gold-toothed Gardner tells Stewart, "When I take this bull**** up back to Oa, they’re gonna send an army to put you down." This sounds like the perfect setup for an eventful "Lanterns" season 2 where the Lantern Corps come to take Jordan in, dead or alive. It’ll be interesting to see which of the infamous space cops they eventually send. This ain't over!

Noah Macon the Manhunter

a blond-haired youth in a high school football jersey

Shea Pritchard co-stars as Noah Macon in "Lanterns" (Image credit: HBO MAX)

Sheriff Kerry Kane (Kelly Macdonald) and the dorky Billy Macon’s (Jason Ritter) immaculately conceived son, Noah, is outed as a Human-Manhunter hybrid that came into being after Kerry’s initial encounter with Manhunter Zoe years ago.

He might be one helluva gunslinging high school quarterback now, but that pales in comparison to what he could become using his frightful shapeshifting Manhunter genes inherited from his grandmother.

With his new Nebraska collegiate ball cap and now headed off to university, the sleeper agent has some vital decisions to make way beyond declaring a major. His desire will be to wipe out the Green Lanterns and the Guardians, but Earthly domination might come first unless he pledges to subdue his instincts and lead a normal life. And is Noah really the last Manhunter, or are there legions more ready to activate?

Sinestro's fate?

a red-skinned man chained to a chair

Ulrich Thomsen makes for a fantastic Sinestro in "Lanterns" (Image credit: HBO MAX)

Spazkaban (or Space Azkaban), the notorious cosmic penitentiary controlled by the Guardians, lost one of its most lethal inhabitants in the crimson-skinned Sinestro when Noah (Shea Pritchard), the nascent Manhunter, broke him out of jail to craft him a yellow fear-based lantern.

This persuasive villain was last seen wrapped in chains in the season finale, "Dirt and Stars," being dunked in the waters of madness by Stewart on the poison planet after a portal hop, before trying to coerce Halogram to deliver the prized ring for Jordan's resurrection.

Avid comic fans know Sinestro once commanded his own intergalactic corp that fed upon the addictive yellow glare of fear instead of the emerald light’s will-imposed power.

Will he unite with Noah to take down the manipulative Guardians of the Universe and their legion of space-bound enforcers, the Green Lanterns? Will Noah break bad or go good? And is it possible for Sinestro to forge another yellow lantern and a custom companion ring to escape captivity? As Sinestro explains, "If harnessed correctly, fear can be the most powerful force in the universe."

Shards of "Lanterns" will invariably bleed over into James Gunn's "Superman" sequel, "Man of Tomorrow," which soars to theaters on July 9, 2027, so there’s still a lot of life left in DC Studios' DCU.

All 8 episodes of "Lanterns" season 1 are available on HBO and HBO Max.

Watch Lanterns on HBO Max:

Basic (Ads): $10.99/month or $109.99/year
Standard (No Ads): $18.49/month or $184.99/year
Premium (4K): $22.99/month or $229.99/year

Posted on

‘Dark Matter’s’ Joel Edgerton and Jennifer Connelly talk S2’s marital disintegration and the humility of hanging on wires (interview)

The eighth episode of Apple TV's "Dark Matter" season 2 has just dropped, and we're all on the edge of our seats trying to guess how the strange saga of Jason (Joel Edgerton) and Daniela (Jennifer Connelly) Dessen is going to finish up. Not even fans of the books know, as this superb adaptation of NYT bestselling author Blake Crouch's 2016 novel broke out of its source material for season 2.

For Edgerton and Connelly, "Dark Matter" has been a whirlwind project as their characters search for a safe alternate universe while being pursued by a multiplicity of Jasons. The physical rigors and emotional toll of shooting the show and presenting its nuanced storytelling often proved difficult.

"There's two exhaustions that I’ve found in movie work," Edgerton tells Space. "It's either mental exhaustion from going to dark emotional places in your brain or complex dialogue stuff. Then there's the physical challenges, like for doing a fight scene. One of the weirdest ones on 'Dark Matter' was doing a gravity scene where we’re dangling on wires inside The Box. There's something deeply exhausting about it and a bit humiliating. You feel like a human teabag."

two men engaged in conversation at night

Joel Edgerton and Dayo Okeniyi star in Apple TV's "Dark Matter" season 2 (Image credit: Apple TV)

Connelly was also a part of that tough sequence and reflects on Edgerton’s tireless fortitude.

"Joel's schedule on this show is really brutal," she notes. "He's in almost all of it. This season is better, but season 1 was crazy for him. It’s surprising; sometimes the things that are most difficult are the ones you don’t anticipate. That's more exhausting at the end of the day after trying to get something to work that you didn’t think would be tricky. I like the days that are tiring because you feel drained because you’ve explored a lot in a scene. That's a nice feeling."

For Edgerton, the simplest thing to remember is that when practicing your craft, always make sure that you go home each day feeling satisfied with what you shot.

"There's nothing worse than going home and thinking that you didn’t get the best out of yourself," he reveals. "As they say, as actors we're not digging trenches. It's not hard physical labor; it's a different kind of thing. Until actually I shot a movie where I had to dig a trench."

Working with Blake Crouch on the series and its unnerving portrait of a marriage strewn across the infinite multiverse has produced new insights into their own lives.

"I find there’s something to be learned from each experience as an actor," notes Edgerton. "Each story takes you through something, whether you like to think it or not.

"You either learn a skill or meet an actor that you admire, and they teach you something inspired by their presence. We were tasked with helping Blake build the disintegration of a marriage, and it's the opposite of what you’re hoping for in real life. That each day you hope you're turning up contributing in a positive way to your relationship rather than engineering its demise. It makes you think about how you can be a better person in life. And there's always room for improvement."

a woman and man stand at a counter in a store

Jennifer Connelly and Joel Edgerton are treating fans to an extraordinary trip in "Dark Matter" season 2 (Image credit: Apple TV)

Likewise, Connelly sees a sort of emotional mirroring effect to be absorbed that extends beyond "Dark Matter's" detailed sets, dizzying locations, and sound stages.

"I think Daniela, at a point when Jason is going down paths, and they're struggling, recognizes that sometimes it's hard to distinguish what is really the other person and what we’re bringing to our perception of them," she adds.

"She has things in her history that bias her vision, and she takes herself off on a journey to reconcile those things and try to take responsibility for healing. And that's a good lesson to remember in relationships in general. Being on top of one's own part of the dynamic. Sometimes things we see in each other are really things within ourselves."

"Dark Matter" season 2 airs each Friday exclusively on Apple TV, with the season finale (and perhaps the series end if not renewed) arriving on Oct. 30, 2026.

Watch Dark Matter on Apple TV+:
Apple TV+: $12.99/month (7-day free trial)
Apple TV & Peacock Premium: $14.99/month

Posted on

‘Dungeon Crawler Carl’ author Matt Dinniman talks inspirations, success, and the upcoming Peacock TV series (interview)

Fall has officially arrived, and as autumn leaves blaze in vivid colors, there is no better time to plunge into the imaginative world of New York Times best-selling author Matt Dinniman's "Dungeon Crawler Carl", the wildly addictive science fantasy book series that's taking the world by storm.

Even if you haven't read them, you've probably seen folks carrying these books, emblazoned with their loud, neon-colored covers, at your neighborhood coffee house. You'll see it even more in the future, too, as a streaming adaptation of the novels is coming to Peacock, with Seth MacFarlane's Fuzzy Door and co-showrunners Eric Heisserer and Chris Yost at the helm.

The eighth book in the series, "A Parade of Horribles," dropped in May of 2026 and continues the story of Carl and his ex-girlfriend’s precocious pussy cat named Princess Donut as they try to navigate the dangerously daunting levels of a lethal doomsday dungeon for an intergalactic television show deciding the fate of humanity and the planet Earth.

All eight covers for the "Dungeon Crawler Carl" sci-fi fantasy book series (Image credit: Penguin Random House)

Think Douglas Adams's "The Hitchhiker’s Guide to the Galaxy" meets "The Running Man" and "Ready Player One" in the "Dungeons & Dragons" RPG realm, and you've got a pretty good idea of the stylistic narrative you'll soon discover when you dare to enter Dinniman's slightly demented literary world.

"The genesis is that I’ve been writing my whole life, and I have a thousand story ideas," Dinniman tells Space on the origins of his sci-fi sensation. "I’ve kept a running list of ideas since childhood, and this one had been on there for some time. The line in my list for this particular one was 'Alien' game show.'"

With over 14 million copies of the "Dungeon Crawler Carl" series sold to date, spooky season is the ideal jumping-on moment so you can share your favorite sadistic dungeon level kill next time you're at a cool cocktail party or fun family function!

Peacock is bringing Matt Dinniman's sensational series to streaming! (Image credit: Peacock)

"The success is a whole other question. I think I just happened to hit the right story at the right time," admits Dinniman. "It's about a man pushing back against impossible odds. The antagonist isn't just a single person or entity, but an entire system designed to crush any life out of him, all for the entertainment of the masses. That sort of story seems to really be resonating right now. Plus there's a talking cat in it."

Dinniman has described the most recently-released sequel as "the Carl and Donut version of Mariokart—only deadlier," with the cruel dungeon architects tightening their brutal grip. As the current king of LitRPG titles in circulation, "Dungeon Crawler Carl" is the next best thing to a living video game.

"Luckily I’m still in love with this story, and I am in love with writing it," he admits. "It hasn’t gotten old yet. The end is in sight, and I’m more sad than anything that it'll eventually be over."

"Dungeon Crawler Carl's" mastermind author Matt Dinniman (Image credit: Tony Dinniman)

An episodic series adaptation seems like a no-brainer, and Peacock has wisely tapped into the considerable talents of both Heisserer ("Arrival," "Bird Box") and Yost ("Thor: The Dark World," "Thor: Ragnarok") for this ambitious TV project.

"Both Chris and Eric have a great amount of experience in Hollywood, but more importantly, both have read the books and like them," Dinniman notes. "Chris is a mega fan, and Eric knows more about gaming than any adult probably should. That's a great combination."

Dinniman also confirmed to us that he's serving as co-executive producer on the show, and will be involved throughout the production.

"The most important thing to preserve, I think, is the tone, which will also be the most challenging," states Dinniman. "Thankfully, the team that's been assembled is up to the challenge, and I can't wait for the world to see how it turns out."

With eight books released so far (and another two to come), you've got plenty of reading to do before the Peacock show and/or the next book lands. You can find the Dungeon Crawler Carl book series in your local bookstores and on Amazon. It's also available via Kindle e-readers and as an audiobook.

Posted on

See the original Galileo shuttle from ‘Star Trek’ in its new home at the Original Series Set Tour in New York

Nostalgia is a hell of a thing, especially when it comes to sci-fi. For "Star Trek" fans wanting to mark the franchise's 60th anniversary this year, a geeky pilgrimage to upstate New York should be on the cards. Why? Because alongside the splendid autumnal colors, they can steer over to Ticonderoga to behold the newly installed Galileo shuttlecraft.

After a complete two-year restoration project in 2012 headed up by superfan and collector Adam Schneider, this iconic fictional spacecraft, seen by millions in seven episodes over three seasons of "Star Trek: The Original Series," was recently relocated from its former home at the Johnson Space Center Museum in Houston, Texas.

It's now on permanent loan to James Cawley and his Star Trek Original Series Set Tour in historic downtown Ticonderoga, New York, where it joins a family of painstakingly detailed sets based on the official "Star Trek" blueprints.

The Galileo's cozy new home with a cool starfield backdrop! (Image credit: James Cawley/Star Trek Tour)

'Galileo is still the property of Space Center, and it was on display there since 2013," Schneider tells Space. "It went to USS Intrepid for the 50th anniversary of 'Star Trek,' displayed under the Enterprise Space Shuttle. You had the Enterprise with Enterprise's little shuttle Galileo adjacent, which was an extraordinary picture. It went back to Space Center, but it takes up an enormous amount of room, and they took it off display after 8 years."

It seemed a shame to have the shuttle out of sight, so Schneider got to work finding a new home for the shuttle. "Since I was on the board, I tried to figure out a place where it could be aimed", recounts Schneider. "The Star Trek Tour made the most sense, so I worked with Space Center to relocate it, and it arrived a couple of years ago."

Hoping to give the restored relic its own private docking bay due to its enormity, faithful fans raised hundreds of thousands of dollars via a Kickstarter campaign led by Brian Mix and David Harvey, and built a beautiful building addition for Galileo to be safely ensconced in.

(Image credit: Star Trek Tour)

"My wife Leslie and I had been tending over the Galileo for a number of years, and it's now successfully displayed there in New York for all to see," Schneider adds. "It's an extraordinary thing to see person if you have not. It's not the size of a chair, it’s the size of a bus. It looks gorgeous in its new space, and if you’re a space aficionado or Star Trek aficionado, that’s even more reason to get involved with this thing."

Opening weekend for the general public at Star Trek Tours to see the newest member of the museum was Sept. 18-20, 2026, and the Galileo was the star attraction. Branded Trekonderoga Weekend, the unveiling ceremony was attended by Assemblymen Dan Stec and Dan Simpson, and 'Trek' luminaries George Takei, Jonathan Frakes, and Brent Spiner.

Does anyone think the Galileo shuttlecraft might have been the inspiration for Tesla's Cybertruck?! (Image credit: Adam Schneider/Star Trek Tour)

"We're certainly thrilled that we were able to work with Adam and NASA to get it here permanently," Cawley tells Space. "Then to get it on display properly and share it with all the fans and make sure that it's on exhibit for many years to come. We’re just outside of the village of Lake George, so we’re part of the greater Lake George tourism region.

"You've seen it on television, and now you’re the caretaker of it. What an honor to be able to do that. It’s the simplicity of the Galileo that makes it so unique. It's Matt Jefferies' whole design ethic for the original series. Less is more. It catches your eye in a specific way. It has a blocky-type silhouette and actually it really complements the Enterprise because you really see the shape difference. Everything has that mid-century modern aesthetic. It's just timeless."

Adam and Leslie Schneider pose beside the gleaming Galileo shuttle (Image credit: Adam Schneider/Star Trek Tour)

For Cawley, being custodian and host of the screen-used Galileo is like a dream. This 23-foot-long mock-up was part of the USS Enterprise's basic design and was rescued from demolition some 14 years ago when Schneider purchased it at a 2012 memorabilia auction for $61,000.

"We had a great rousing opening weekend with it, and business has been very steady into October with people asking about it. It's going to be a big cornerstone to the tour. I think people are becoming aware that it’s here and they’re making a pilgrimage to come because of it."

For more prices, hours, and more information on the Star Trek Original Series Set Tour in Ticonderoga, New York, visit them at https://startrektour.com or call 518-503-5497. You can also see the Galileo in action in Star Trek: The Original Series on Paramount+.

Watch Star Trek: The Original Series on Paramount+:
Essential (ads): $8.99/mo or $89.99/yr
Premium (no ads): $13.99/mo or $139.99/yr

Posted on

‘Dark Matter’ showrunner and author Blake Crouch talks the ‘daunting’ task of moving beyond the original book for season 2 (interview)

Apple TV's addictive multiverse thriller, "Dark Matter," has quietly joined their roster of fantastic sci-fi series alongside hits like "Pluribus," "Severance," "Foundation," "Silo," "For All Mankind," and "Star City."

Adapted from New York Times bestselling author Blake Crouch's ("Recursion," "Upgrade") novel of the same name from 2016, "Dark Matter" is a mesmerizing amalgam of time-travel, existential crises, alternate dimensions, and romantic love that transcends the multiverse. We're entering the final few episodes of season 2, so there’s still room to jump on the show's bandwagon and absorb the quantum entanglement for what's bound to be a cliffhanger finale airing on Oct. 30, 2026.

As "Dark Matter" season 2 heads toward its conclusion, we sat down with showrunner Blake Crouch to ask what it's like to adapt your own book to the screen, and the challenges of moving beyond the scope of his original story.

"Dark Matter" season 2 is winding down to its thrilling Oct. 30, 2026 finale! (Image credit: Apple TV)

"The biggest challenge for season 2 was time because we needed to move quickly," Crouch tells Space. "This was a brand new plot and brand new story. Yeah, we had the characters from season 1 and kind of knew where they were heading, but coming up with ten hours of new story was daunting."

Crouch again serves as "Dark Matter's" executive producer and showrunner, this time being liberated from the novel's initial plotline and free to continue the story of Jason (Joel Edgerton) and Daniela (Jennifer Connelly) Dessen as they flee from a mob of duplicate Jasons chasing them across parallel existences while struggling to maintain some semblance of a marriage. Come for the trippy time loops and strange variant worlds, stay for the exceptional acting and drama!

"It was a case of go, go, go, and actually I think it kind of helps the process not be precious," explains Crouch. "We sort of committed and went with it. For the second season arc, we wanted to open up the aperture and not just focus so heavily only on the family, but to check in with Ryan and Amanda and Leighton. It seemed like an amazing opportunity to build out the world."

Alice Braga and Jimmi Simpson co-star in "Dark Matter" season 2 (Image credit: Apple TV)

Crouch and his creative team were extremely happy with the debut season's aesthetics, and this sophomore outing was mostly about being faithful to that, although the new batch did indulge in a couple of standalone chapters where the writers got to play a bit and take some big swings.

"It was never something we were afraid of," Crouch adds, avoiding multiverse tropes and clichés. "Because I was starting to write 'Dark Matter' in 2014 and there are plenty of amazing things that came before that dabbled in it. But when the book came out, it was the first story that went all in and committed to the idea of the world in a grounded, emotional, character-driven way. And we always try to stay true to that identity.

"Sometimes the multiverse can be fun shock and awe when it comes to showing how wild and crazy different worlds can become. But for our characters, everyone is just shades of the same core character. And I think that approach hopefully keeps it from falling into some of those trope traps.”

Oscar-winner Jennifer Connelly in Apple TV's "Dark Matter" season 2 (Image credit: Apple TV)

Romance is frequently at the heart of Crouch’s work, which allows the series’ acclaimed cast to evolve and stretch their skills within the complicated narrative.

"I love the way Jennifer describes this second season as a continued exploration of a marriage," he shares. "And in some ways the new season of 'Dark Matter' gets far more deep into the relationship of Daniela and Jason. Because in season 1 they're together for a few minutes in the beginning and then he’s out the door and ultimately gets abducted. He doesn’t return to his family until the end of the penultimate episode."

"There's a sense in season 1 that it’s a love story between these two characters, but Jason 1 and Daniel 1 have very little screen time," he elaborates. "In season 2, we not only get to see how they interact day-to-day, but how they deal with the fallout. "

"I feel a lot of gratitude to work with such amazing creative minds, from our production designer to our actors and directors and editors. It's very humbling to get to work with so many smart people who are all trying to execute your vision."

"Dark Matter" season 2 airs new episodes each Friday exclusively on Apple TV. Fans can also catch up on the entire first season on Apple TV.

Watch Dark Matter on Apple TV+:
Apple TV+: $12.99/month (7-day free trial)
Apple TV & Peacock Premium: $14.99/month

Posted on

What is ‘Ray Gunn,’ the animated neo-noir sci-fi film from ‘The Incredibles’ director Brad Bird?

Pixar's Academy Award-winning director Brad Bird — of "The Incredibles" and "Ratatouille" fame — has been out of the spotlight for a while, working on a project that's been percolating inside his noggin for three decades. That project is "Ray Gunn", and it's finally on the horizon.

The first dynamic trailer for "Ray Gunn" arrived in September, giving us a glimpse of this cool sci-fi crime thriller. Like his previous works, it's an animated movie energized with spectacular visuals and starring the vocal talents of Sam Rockwell, Alan Tudyk, Scarlett Johansson, and Tom Waits.

If you're into retro-futuristic elements like flying cars, jet packs, blazing laser pistols, scary robots, alien hoodlums, and a classic whodunnit storyline, then this will be right up your alley.

Produced by Skydance Animation and directed by Brad Bird, "Ray Gunn" has a long history of development dating back even before Bird's glory days at Pixar. From this sneak peek, it's clear that a lot of love and attention to detail have been poured into this highly anticipated project, which arrives exclusively on Netflix on Dec. 18, 2026.

But what exactly is "Ray Gunn", and why did it take so long to get made?

What is Ray Gunn about?

a promo poster for a neo-noir sci-fi movie

Director Brad Bird's "Ray Gunn" arrives just in time for the holiday season (Image credit: Netflix)

The adult-oriented plot revolves around a hard-boiled private eye in Metropia named Raymond "Ray" Gunn (Rockwell), his one-eyed alien partner Eyera (Waits) and Venus Nova (Johansson), a sassy pop music starlet who's embroiled in a scandal that might cancel her career and possibly end her life.

"Ray Gunn's" murder mystery screenplay was co-written by Bird and Matthew Robbins, who he penned the script for 1987’s "Batteries Not Included" with.

"The elevator pitch that I boiled it down to is 'Buck Rogers' meets 'The Maltese Falcon,'" Bird told Discussing Film regarding the movie’s influences. "You take the slightly more naïve, optimistic design view of the future, and then you add a dark underbelly to it.

"Usually in these stories, the city is kind of a grimy place. In 'Blade Runner,' it's acid rain and this future you don’t want to be in. But I thought there was something fun about juxtaposing a positive vision of the city of the future, and then showing that still there's going to be corruption and lies."

Ray Gunn has a star-studded line-up of vocal talents too, including Sam Rockwell, Alan Tudyk, Scarlett Johansson, Tom Waits, Matt Berry, Bobby Cannavale, Michale Chernus and Patton Oswalt.

Ray Gunn's long journey to our screens

an animated image of a man aiming a laser pistol

Sam Rockwell voices the title character in Brad Bird's "Ray Gunn" (Image credit: Netflix)

What’s so cool about this neo-noir passion project is that it reunites Bird with former Pixar Chief John Lasseter ("Toy Story"), with whom the duo delivered some of the storied animation studio's biggest hits. Lasseter left Pixar in 2018 to head up the animation division at Skydance the next year.

The idea for "Ray Gunn" has been bouncing around Hollywood since the late '80s when Bird was with Amblin Entertainment. Its plot was inspired by Blake Edwards' "Peter Gunn" movie, Will Eisner's The Spirit and The B-52’s tune "Planet Claire," but set in an alt-future with humans and aliens.

After a successful run working on the first eight seasons of "The Simpsons," "Ray Gunn" was set up at Turner Feature Animation in the mid-90s but was eventually shelved before Turner merged with Warner Bros., where Bird directed 1999's "The Iron Giant."

a man and an alien sitting on a sci-fi scooter

The great Tom Waits voices Ray Gunn's cyclopean sidekick, Eyera. (Image credit: Netflix)

Even while working on other live-action endeavors like helming 2011's "Mission: Impossible - Ghost Protocol" and 2015’s "Tomorrowland," or spending time on Pixar's "Incredibles 3," Bird held onto hope that "Ray Gunn" might be revived after years of development hell.

Fortunately, he moved on from "Incredibles 3" in 2021 to join Lasseter at Skydance Animation, and the rest is history after setting the movie up at Netflix instead of his old home at Pixar.

Watching this new trailer, it’s hard not to compare its design aesthetics and overall plot devices to movies like "Blade Runner," "The Fifth Element," and maybe a touch of "Who Framed Roger Rabbit?"

"Ray Gunn" debuts on Netflix on Dec. 18, 2026, and will also have a limited 70mm theatrical release starting Dec. 4, 2026.

Watch Ray Gunn on Netflix:

Standard with ads: $8.99/month
Standard: $19.99/month
Premium (4K): $26.99/month