The great technological leaps in American history have often featured influential industrialists who step forward as vanguards, leading the way to a better tomorrow while emerging as major players in extreme endeavors.
A new CNN documentary titled "Eclipsing Power: Musk, Bezos, and the New Space Race" shines a light on how a pair of visionary billionaires, Elon Musk and Jeff Bezos, have been shaping and steering our country's space program and the bright future of private space enterprise.
Premiering on Sunday (Aug. 9) at 8 p.m. EDT/PDT on CNN, the documentary examines the contributions of the two men and how their considerable wealth have affected America's spaceflight efforts. It also features exclusive interviews with Chief Ambassador of The Planetary Society Bill Nye, NASA Administrator Jared Isaacman, journalist and CNN contributor Kara Swisher, Elon Musk biographer Walter Isaacson and many others.
"'Eclipsing Power' traces how Elon Musk and Jeff Bezos have transformed the future of space exploration, shifting what was once an endeavor primarily led by government into a race driven by private ambition," states the show's official synopsis.
"It follows the rise of SpaceX and Blue Origin, detailing how two of the world's most influential entrepreneurs have come to play an outsized role in America's space program. The hour looks at both the opportunities and the risks of NASA's growing reliance on private industry, the race to return humans to the moon, and what this new era of commercial spaceflight could mean for the future of humanity."
"What am I most excited about in space exploration?," Nye shares in our exclusive clip. "Well, for me, discovering evidence of life elsewhere. Maybe the rocks on Mars. Maybe under the ice on Europa, the moon of Jupiter with twice as much ocean water as Earth. Maybe Enceladus or Titan. It would change the course of human history. We’ll see you up there!"
CNN’s FlashDocs division offers provocative storytelling on topical issues shaping society and culture. Former FlashDocs programs have included "Bad Bunny and the Halftime Show: Rhythms of Resistance" and "Behind the Bob: Vogue's Anna Wintour."
Executive produced by Eric Johnson alongside CNN Studios' Amy Entelis and Katie Hinman, "Eclipsing Power: Musk, Bezos, and the New Space Race" will first stream exclusively at CNN.com/Watch and on the CNN app beginning on Friday (Aug. 7) and has its broadcast debut on Sunday at 8 p.m. EDT on CNN.
This summer, we've gotten two big doses of dystopian sci-fi: first with the recent San Diego Comic-Con trailer launch for Prime Video's upcoming "Blade Runner 2099" and now Apple TV's prestige series based on sci-fi guru William Gibson's 1984 cult novel, "Neuromancer."
The futuristic plotline centers around a burned-out computer hacker living in the overcrowded dystopian underworld of Japan's Chiba City who takes on a dangerous cyberspace gig that just might leave him dead. Its 10-episode debut season will be delivered beginning with a double chapter premiere, with subsequent installments airing each Friday through March 19, 2027.
Cyberpunk fans can plug into Apple TV's "Neuromancer" starting Jan. 22, 2027. (Image credit: Apple TV+)
Created by executive producer and showrunner Graham Roland, the mastermind behind "Dark Winds," "Neuromancer" powers up on Apple TV on Jan. 22, 2027 as also revealed during last week’s Southern California pop culture fiesta.
"Neuromancer's" four-decade road from page to screen has been long and arduous, with many A-list names in Hollywood attached to an adaptation of the acclaimed book at one time or another.
The ensemble cast stars "One Night Only's" Callum Turner as Case, Briana Middleton as Molly Millions, "Beef's" Joseph Lee as the ninja bodyguard Hideo, and Mark Strong in yet another in a seemingly infinite line of cold imposing villains, this time playing the shadowy figure called Armitage.
Additional cast members for this edgy sci-fi production include Clémence Poésy (Marie-France Tessier), Peter Sarsgaard (John Ashpool), Emma Laird (Linda Lee), Dane DeHaan (Peter Riviera), Max Irons (Jean Tessier-Ashpool), André De Shields (Julius Deane), Marc Menchaca (Dixie Flatline), Isabella Pappas (Mitchell), and Prasanna Puwanarajah (Darvin Mitnik).
"Neuromancer" kicks off exclusively on Apple TV on Jan. 22, 2027.
As evidenced by Paramount's live-action "Transformers" movies and the recent "Masters of the Universe" film released by Amazon MGM Studios, nostalgic toy lines can serve as fertile grounds for a variety of engaging Hollywood projects leaning into vintage intellectual properties.
With Mattel ramping up their own film production efforts and toy-to-screen endeavors after enormous success with "The Barbie Movie" and hi-octane plans for Hot Wheels movies rolling into theaters, the toys-to-silver screen craze shows no sign of slowing down. What could be next? We think there's a perfect choice hiding in the Mattel goldmine that might just become the next big thing.
We're of course talking about Major Matt Mason, that Plastisol astronaut action figure and kids' playset product line from the 1960s, which is celebrating its 60th anniversary this year.
Born during the heat of America's space race with NASA's Apollo program aiming for the lunar landing by the end of the decade, Mattel's design masterminds found inspiration in visionary space concept artists' wild dreams of futuristic moon bases, lunar buggies, and space vehicles.
Major Matt Mason was one of the first serious space toys to exist in the marketplace, first hitting the shelves of toy shops and department stores across the country in 1966.
Capitalizing on the daily news stories of Gemini missions and Apollo moon-walking dreams, this spacefaring fellow and his astronaut pals let kids everywhere imagine their own colorful cosmic adventures.
The expanded line of Major Matt Mason's vehicles and playsets shown in a 1967 catalog. (Image credit: Mattel)
Back in 2019, Variety reported that Tom Hanks was attached to star in a Major Matt Mason live-action film being set up at Paramount Pictures with Akiva Goldsman ("A Beautiful Mind," "The Da Vinci Code") hired to write the screenplay.
Hanks is an enthusiastic advocate of NASA history after starring in "Apollo 13" and co-executive producing the Emmy Award-winning HBO docuseries "From The Earth To The Moon" alongside "Band of Brothers" super producer Graham Yost. Despite the heavy hitters attached, momentum has since stalled on the sci-fi project and it's sadly been shelved for the immediate future.
Matt Mason and his astronaut buddies score their own space station. (Image credit: Mattel)
Matt Mason's line-up of bendy 6-inch astronaut action figures was developed as a competitor to Hasbro's 12-inch G.I. Joe toys that ruled the marketplace in the mid-60s.
Along with Matt's fellow rubberized space buddies — available in a variety of color-accented spacesuits — Mattel also offered a complete universe to create your own space outpost and ramped lunar headquarters, alongside accessory vehicles, moon gear, expansive playsets, and Matt's "allies from the stars": A purple-and-pink creature called Scorpio, and a green-skinned friendly Jovian alien called Callisto.
Some of Major Matt Mason's retro-cool lunar accessories included a jet propulsion pak and space sled. (Image credit: Mattel)
With the Vietnam War raging in Southeast Asia and televised on the nightly news, Major Matt Mason blasted into Sears and JCPenney catalogs when soldier action figures were losing their appeal.
He wasn't a gun-toting commando but a heroic explorer "ready and able to cope with any space task or fierce danger." In addition to the action figures and peripheral playsets, Matt Mason became a pop culture phenomenon with his own board game, coloring books, lunch boxes, and puzzles.
Named after Mattel's co-founder Harold "Matt" Matson, the Matt Mason line carried a certain air of authenticity as many of its designers happened to be former aerospace engineers. Some of the toys' far-out designs were taken straight out of NASA conceptual art and prototypes seen by millions in the pages of Popular Mechanics, Life, and National Geographic magazines.
Matt Mason's space station could be built in many different ways. (Image credit: Mattel)
But, the general public is difficult to please for any extended period of time and following the triumphant Apollo 11 moon landing in July of 1969, space toys faded in interest. Just one year later, Major Matt Mason was no more, destined only to be coveted decades down the line as valuable collectors items .
As NASA ramps up their Artemis program with 2027's Artemis 3 mission, before an Artemis 4 moon landing set for 2028, and the space agency doubling down on plans for a recently announced permanent lunar base, can there be any better time for Hollywood moguls to resurrect this cool project for a fantastic, retro-styled Major Matt Mason movie or TV series?
The summer is slowly waning as we soon turn the calendar page to August and back to school supplies are already cluttering store shelves, but Hollywood still has a pocketful of possible surprises hitting the silver screen. My prediction for "Masters of the Universe" as a summertime sleeper hit did not come to pass, though it was a totally enjoyable nostalgic romp, if not about 20 minutes or so too long.
While "Spider-Man: Brand New Day" is surely destined to become a global sensation, we’d like you to redirect your cinematic radar to "The End of Oak Street," a cool little sci-fi fantasy film brought to life by executive producer J.J. Abrams and Bad Robot ("Lost," "Cloverfield," "Star Trek," "Star Wars: The Force Awakens").
Stomping into theaters on Aug. 14, 2026, it's written, produced, and directed by David Robert Mitchell ("It Follows"), who brings his twisted horror-tuned sensibilities to the surreal survival material.
Recent teasers and trailers starring Ewan McGregor and Anne Hathaway and their suburban family have them sprinting for their lives after a strange cosmic event whisks their placid American neighborhood seemingly back to prehistoric times when dinosaurs roamed the Earth. Think "The Twilight Zone" meets "Jurassic Park" with a dash of "A Quiet Place" and you’ll be pretty close to the wild narrative that will unfold when the "running and screaming" begins.
This all seems like the perfect recipe for a fun cocktail of primeval creatures rampaging across driveways and lawns while residents fight back with guns and garden tools. "I think our house, our neighborhood, our whole street, has moved," Hathaway's Denise Platt explains to her children in the first teaser that dropped in March and racked up a hefty 30 million views.
Could "The End of Oak Street" become a certified summer sleeper hit? (Image credit: Warner Bros.)
Fans of "The Outer Limits" might recall a similar theme, minus the feathered dinos of course, playing out in the 1964 episode, "A Feasibility Study," where aliens abduct a 6-block suburban neighborhood to their planet Luminos to study them as candidates for enslavement. Whether or not aliens are involved in this plot is unclear and Warner Bros. is now keeping that tightly under wraps.
Also starring Maisy Stella and Christian Convery and produced by Hannah Minghella, Jon Cohen, Matt Jackson and Tommy Harper, "The End of Oak Street" thunders into multiplexes on Aug. 14, 2026 and is our best bet for a late summer smash before the kiddies return to school!
The script is flipped in Prime Video's upcoming "Blade Runner 2099" series where replicants have rebelled and seized power from human beings in a massive uprising. An arresting new trailer was unleashed during the annual San Diego Comic-Con pop culture pageant and it's an atmospheric return to the futuristic realm of Ridley Scott's "Blade Runner" universe 80 years later.
"The old world forever fights to come back," Olwen tells Cora in this interesting first peek at the limited series that arrives Nov. 25, 2026. "Humans want what was taken from them. But it's our time now."
Michelle Yeoh as Olwen in "Prime Video's" Blade Runner 2099" (Image credit: Prime Video)
"Blade Runner 2099" stars Academy Award winner Michelle Yeoh ("Everything Everywhere All At Once") as an aging replicant Blade Runner named Olwen and Hunter Schafer ("Euphoria") playing Cora, a fugitive human trying to escape pursuing Blade Runners. It's more or less a tangential sequel to director Denis Villeneuve’s "Blade Runner 2049" set in the same neon-drenched dystopian world with a team-up element between natural and artificial beings, we're also going into outer space!
We first heard word of series executive producer Ridley Scott developing a "Blade Runner" TV showback in early 2022and we're finally on the threshold of its 8-episode release this fall, which is helmed by showrunner and executive producer Silka Louisa ("Shining Girls").
"Fifty years after the events of 'Blade Runner 2049,' Los Angeles has been reborn, just not by humanity," states the official synopsis. "Cora, a fugitive in a final bid to stop running, takes on one last identity: a Blade Runner. Forced to partner with Olwen, a Replicant days from dying, she hunts down a runaway hiding a truth that could collapse their fragile city."
Yeoh and Schafer share cyberpunk cityscapes with Dimitri Abold ("The Hunger Games: The Ballad of Songbirds & Snakes") and Lewis Gribben ("Somewhere Boy"). Guest stars include Katelyn Rose Downey ("The Nun II"), Daniel Rigby ('Renegade Nell"), Johnny Harris ("A Gentleman In Moscow"), Amy Lennox ("Only Child"), Sheila Atim ("The Woman King") and Matthew Needham ("House of the Dragon").
Hunter Schafer as Cora in Prime Video's "Blade Runner 2099" (Image credit: Prime Video)
"I am so excited for people to see it," Louisa told EW last week. "There is so much legacy with 'Blade Runner.' Every person who touched the show in any way is a huge fan. Everyone was very well aware of the weight of what we were doing, and we did it with great care. And when you're taking on something like this, you're very thoughtful and deliberate about each step. That is why it has taken so long, because we wanted to make sure we got it right.
"We stayed very true to the noir principles of 'Blade Runner.' And there's a mystery at the heart of the show that looks both forwards and backwards in terms of mythology that fans are gonna be very excited about."
Also executive produced in collaboration with David W. Zucker and Clayton Krueger of Scott Free Productions. "Blade Runner 2099" will appear on Prime Video Nov. 25, 2026.
Trailers and teasers for HBO’s upcoming "Lanterns" series have beensuspiciously devoidof much outer space footage for the intergalactic cops known as the Green Lanterns, but that's all history now with this exhilarating new preview.
Beware the power of this illuminating peek that not only delivers generous doses of Hal Jordan (Kyle Chandler) mentoring his young apprentice, John Stewart (Aaron Pierre), but also tosses in cool shots above an alien planet, a prison world, and what could be barren Mars.
And there's green galore via electrifying emerald constructs (including a beer opener) emanating from the cosmic peacekeepers' trusty power rings. Plus we're treated to a severe warning by the normally-wisecracking Guy Gardner (Nathan Fillion) as a serious but satisfying bonus.
DC Studios' "Lanterns" soars onto HBO and HBO Max on Aug. 16, 2026. (Image credit: HBO)
"Lanterns" is an 8-episode limited series arriving Aug. 16, 2026 courtesy of DC Studios and heralding from executive producers Chris Mundy, Damon Lindelof, and Tom King.
From this latest trailer it's apparent that weird shape-shifting Manhunters will be primary antagonists alongside the crimson-skinned criminal Sinestro (Ulrich Thomsen) and that has piqued our interest. It delivers a well-rounded depiction of the series' story arc and motivational beats that follow an older generation of Lanterns giving way to a younger law enforcement recruit.
"Manhunters are the most dangerous beings to ever exist in the galaxy," Paul Ben-Victor's extraterrestrial truth-seeker, Antaan, explains. "And it can take the form of any species."
Aaron Pierre (L) and Kyle Chandler (R) star as space cops in "Lanterns." (Image credit: HBO)
This grounded, mystery-driven miniseries showcases one of DC Comics' most honored creations, the Green Lantern Corps, and their oath-reciting, ring-bearing brethren across the cosmos, here investigating odd murders in rural Nebraska.
Landing from DC Studios, Warner Bros. Television, and HBO, "Lanterns" debuts Sunday, Aug. 16 at 9:00 p.m. ET/PT on HBO and later streaming on HBO Max.
Disney+, Hulu, and HBO Max are also available as a bundle that offers a significant discount over the cost of buying all three services individually.
Nostalgia is a powerful elixir as demonstrated by Paramount's moving "Star Trek" tribute video created for the franchise's big 60th anniversary this year and revealed last weekend at San Diego Comic-Con during a Star Trek Universe presentation at Hall H.
It's a sentimental journey into the final frontier that chronicles the popular space opera property from its infancy as "Star Trek: The Original Series" in 1966, through 14 Hollywood feature films and numerous small screen iterations like "The Next Generation," "Deep Space Nine," "Voyager," "Enterprise," "Discovery," "Picard," "Strange New Worlds," "Below Decks," "Prodigy," and even "Starfleet Academy."
"We are all explorers, driven to know what's over the horizon," declares Scott Bakula's Captain Archer from Enterprise in this misty celebratory mission down memory lane.
"Star Trek" first appeared on the NBC Network on September 8, 1966. (Image credit: Paramount)
San Diego Comic-Con fans attending the annual pop culture extravaganza were also treated to a packed panel featuring "Star Trek: Strange New Worlds" Season 4 stars Anson Mount, Rebecca Romijn, Ethan Peck, Christina Chong, Celia Rose Gooding, Melissa Navia, and Paul Wesley, in addition to executive producers Akiva Goldsman, Henry Alonso Myers, and Alex Kurtzman. The cast and creators offered up an extended peek at the new season and teased the fifth and final season being released in 2027.
An impressive roster of "Star Trek" luminaries made appearances to discuss Gene Roddenberry's hopeful vision of the future and the franchise's enduring legacy, including Eugene "Rod" Roddenberry, Michael Dorn, Robert Picardo, Connor Trinneer, Cirroc Lofton, Doug Jones, Michelle Hurd, Jerry O'Connell, Christina Chong, Karim Diané, and George Takei.
"For 60 years, 'Star Trek' has carried us beyond galaxies out of reach, to the very core of what it means to be human," "Discovery's" Sonequa Martin-Green states in the tribute's narration. "It began with a bold idea that the future could be united."
Stay tuned for more "Star Trek" 60th anniversary news and events this September!
SYFY’s optimistic space opera series, "The Ark," embarks upon its third thrilling season today, occupying a unique entertainment spot as the only weekly scripted sci-fi series currently on regular broadcast television.
With an impressive creative resume featuring executive producers Dean Devlin ("Stargate," "Independence Day") and Jonathan Glassner ("Stargate SG-1") and a hopeful premise about humanity’s search for a new home amid the stars, it’s a refreshing show perfect for a laidback, summertime watch.
Season 3 delivers more dangerous exoplanets inhabited by ravenous toothy monsters, the mystery of an alien stone tablet, and Captain Sharon Garnet’s Ark One searching for long-lost colonists. We caught up with Devlin to find out more about this third outing.
"We got so lucky with this cast," Devlin tells Space. "Some were cast from Canada, some from Spain, from England, and a lot of them were from Serbia. You never know if they’re going to gel, if they’re going to get along, if there's going to be any egos. It's truly an amazing group of individuals."
Talking more on the unique shooting location, Devlin notes, "I do also believe that because we shoot this show in Serbia, it kind of forces them to live together in a way. They work together, they go out to dinners together. They really spend all their time together, and I think it's created a bond off-screen that you can really see on screen."
"The Ark" Season 3 launches exclusively on SYFY on July 29, 2026 (Image credit: SYFY)
Season 3 accelerates all the careful plot mechanisms set up in the previous outings, and the result is a colorful blend of space fantasy action and interpersonal melodrama that makes for good old-fashioned fun.
"Season one had been this crazy hit, and it did so much better than anyone thought," he explains. "While we were making season two, we had discussions about maybe splitting the show into two shows. And that one show takes place on the new colony, and the other show takes place rescuing people. When the season was over, we thought maybe we’d just stick with one show. Then suddenly I had two shows I had to cram into one show. It became twice as big with more locations, more cast, and more adventures.
"We went nuts. We went wildly over budget and just made the biggest, craziest season we could possibly imagine. Our industry has moved so far into streaming, which is great in so many ways. But the weekly viewing on cable is still something that I really treasure and really am grateful that I have a chance to do that. We have two shows doing that this summer [with TNT's "The Librarians: The Next Chapter"] and in both situations we're the only scripted show on each network."
Devlin hints that viewers are going to be shocked at some of the unexpected surprises this season and where it goes on a character level.
"That's always been the strength of this show," he adds. "These characters and bringing out new information about them and seeing how that causes conflicts amongst our group and how they overcome those conflicts. 'The Ark' always has had a mystery element, but this year the mystery box is enormous.”
One thing that’s immediately noticeable is the impressive range of visual effects on 'The Ark' this year, and Devlin admits that this is where a good chunk of the budget-busting occurred.
Christie Burke stars as Captain Sharon Garnet on "The Ark' Season 3 (Image credit: SYFY)
"The main VFX team is in Serbia, a company called Fried, and they’ve been with us this whole time. I put another team together in Los Angeles that used to be part of our Electric Entertainment effects company. So we basically had two houses because we wanted to step it up; we had a lot more shots to do, and we split the work between us. I’m really proud of the collaboration. In season one, I promised everybody that there were no aliens on 'The Ark,' but maybe down the line. Well, I guess we’re down the line.
"This is a season where if you've never seen the show before, you can jump right in. But if you have been with us for the whole journey, you're going to get some extra love by the time we get to the end of the season. This may be the most emotional ending of a season we've ever done, and I'm anxious to watch people go on that ride with us.”
Starring Christie Burke, Reece Ritchie, Richard Fleeshman, Pavle Jerinic, Stacey Read, Samantha Glassner and Ryan Adams, SYFY's "The Ark" Season 3 launches weekly starting Wednesday, July 29, 2026.
In Apple TV’s "Silo" season 3, we lunge back 352 years to the Before Times to see how the greatest engineering project in the history of the world began… and would end.
Center stage in this dark sci-fi drama are ambitious Congressman Daniel Keene (Ashley Zukerman) and journalist Helen Drew (Jessica Henwick), the pre-apocalypse duo we were first introduced to in Season 2's final episode.
In that scene, the handsome couple met on a first date in a Washington, D.C. restaurant in the aftermath of a dirty bomb that had irradiated the city.
Daniel and Helen play pivotal roles in "Silo's" elaborate conspiracy to save humanity, helping to orchestrate a colossal project in Georgia to build a controlled network of survival bunkers that will last centuries until the Earth somehow becomes habitable again after a mysterious calamity. Wait, that sounds familiar...
Zukerman and Henwick create a completely believable relationship as they’re reluctantly drawn into this mind-boggling plot to save the human race. We connected with them to learn details about cultivating their chemistry and intimacy on the show.
Ashley Zukerman as Daniel Keane in "Silo" Season 3 (Image credit: Apple TV)
"It's nothing we worked to generate; it was really just there from the beginning," Zukerman tells Space. "We hung out, and we certainly didn’t hang out for the purpose of building that chemistry. I think we got very lucky to find a teammate to be able to do that with."
"We share the same taste and work ethic," elaborates Zuckerman. "When you go on a journey that’s this big with someone, and we shot every day for four months together, we just always had each other’s backs, and there was an immense amount of unconditional respect and excitement. I’m not the kind of actor that could fake it."
Henwick discussed the complexities of her resourceful character and her expanded role in season 3 by exploring what she drew from to compose a layered Helen.
"It was my memory of working on the school newspaper when I was 14," she explains. "And also my natural inclination to ‘Spanish Inquisition’ everyone. I do feel quite an affinity to journalists. I always love to ask questions, and I want to know why and want to understand things. I’m really curious about the world. I didn’t feel like I had to generate much for Helen. I actually felt like she was very close to me."
Jessica Henwick as Helen Drew in in "Silo" Season 3 (Image credit: Apple TV)
"Silo"'s impressive set design certainly helped the cast immerse themselves in the doomsday world of author Hugh Howey's dystopian novels and in this lavish Apple TV adaptation.
"I'm sort of a terrible guest to sets, especially if I'm a part of the production," Zukerman adds. "I have to remember to sit in wonder for a second at the scale of the operation. Usually I just try to live as the characters live. Then I'm so thankful that you actually get to live in a real space, especially in a sci-fi, which is not our real world.
"Where the drawers open and when you're looking at something, you're not looking at a blue screen or a green screen, you're actually able to experience life as close as you can within this alternate reality."
Likewise, Henwick absorbed "Silo's" immense scope and scale right from the start.
"I've done a lot of fantasy and sci-fi where I’m stuck in front of a green screen, or there's a tennis ball on a stick, and you have to follow it, and that's the spaceship," she shares. "It was nice to be on a show where so much of it was done practically. I remember the first day going to visit the stairs, and that blew my mind. It is a massive set, one of the biggest sets I've been on."
Executive produced by Graham Yost, “Silo” Season 3 is now streaming on Apple TV.
We didn't exactly go bananas for Tim Burton's odd take on "Planet of the Apes" back in 2001, but now, on the occasion of the sci-fi film’s 25th anniversary, we've had time to reflect on not only the summertime spectacle's notable missteps, but also its unsung merits.
Invading the hallowed grounds of director Franklin Schaffner’s 1968 original "Planet of the Apes" was risky business at best, but 20th Century Fox rolled the dice with their long-gestating $100 million remake and a competent cast that included Mark “Markie Mark” Wahlberg, Tim Roth, Helena Bonham Carter, Michael Clarke Duncan, Paul Giamatti, David Warner, and the lovely Lisa Marie.
The studio no doubt hoped a modern makeover of one of the most respected science fiction films ever would reignite interest in the franchise and spawn a bunch of sequels similar to what Schaffner’s Charlton Heston-starring classic did.
Tim Burton's "Planet of the Apes" swung into theaters on July 27, 2001. (Image credit: 20th Century Fox)
Instead, "Planet of the Apes" swiftly killed that notion with its poor critical response despite a respectable box office haul of $362 million after it was released to awful reviews on July 27, 2001. That ended any lofty dreams of triumphantly resurrecting Ape mania for another decade, until director Matt Reeves rebooted everything once more in 2011 with "Rise of the Planet of the Apes."
Treading upon sacred cinematic territory was a brash move, one even considered by filmmakers like Peter Jackson, Oliver Stone, Chris Columbus, and James Cameron at one point.
But Tim Burton was anything but timid, and he prematurely plunged into his "Planet of the Apes" project with unbridled enthusiasm. The aftermath was a strange mix of superficial camp and chaotic action that doesn’t really add up to anything of interest, and it remains a curious addition to Burton’s incredible 40-year filmography.
So, let’s peel back the polarizing "Planet of the Apes" to find some of the sweet and sour!
Rick Baker's Fantastic Makeup
Tim Roth as General Thade battles Mark Wahlberg's lost astronaut Leo Davidson. (Image credit: 20th Century Fox)
Oscar-winning makeup master Rick Baker provided the astonishingly realistic prosthetics for "Planet of the Apes", and the effects are quite convincing. Well, except for Helena Bonham Carter’s Ari chimp character, which often looks like something out of Dr. Seuss's Whoville with her pronounced muzzle and rodent-like appearance (An apt comparison since Baker also did the special makeup effects for "How the Grinch Stole Christmas" the previous year).
That aside, Baker’s practical magic on the movie is fantastic and one of the production’s finest achievements. The man who created the makeup for "King Kong," "An American Werewolf in London," "Michael Jackson’s Thriller," "Harry and the Hendersons," "Men in Black," and "The Wolfman" designed some of the best simian masks ever seen on screen.
Baker’s earlier work on films like "Gorillas in the Mist" and "Mighty Joe Young" made him a natural for the job, and he truly shined here. Charlton Heston even made a cameo appearance as Zaius, a character from the 1968 original.
The Baffling Time-Tripping Plot
The crumbling remains of an ancient derelict spacecraft in "Planet of the Apes" (Image credit: 20th Century Fox)
The confusing screenplay by Mark Rosenthal, William Broyles Jr and Lawrence Konner was cobbled together at the last minute and was still being rewritten as cameras began rolling.
It’s a soulless retelling of the 1968 version that relies on a few bad one-liners and uninspired performances by a cadre of fine performers, relegated to delivering flat dialogue and clunky exposition amid some cheap-looking soundstage sets.
A miscast Wahlberg plays Captain Leo Davidson, an astronaut scientist marooned on the planet Ashlar where apes are the masters and humans their inferior slaves.
He follows a genetically modified chimpanzee pilot named Pericles into a cosmic storm that engulfed their research station, Oberon, only to be transported to the year 5021, where humans and apes exist in a reversed society caused by the Oberon’s crash thousands of years before his arrival. Those super-smart chimps, gorillas, and orangutans eventually evolved and rebelled against their human masters.
Leo Davidson's time-traveling odyssey goes from 2029 all the way to the 51st century and then back again to his own era, where things have gone totally haywire. The twist ending is infamous. Davidson returns home to Washington, D.C. to find a marble monument of the human-hating warlord General Thade has replaced the iconic Abraham Lincoln statue.
This alternate timeline is a head-scratching "Ape Lincoln" finale that attempts to imitate that famous Statue of Liberty shocker seen in the original Planet of the Apes. It’s a controversial end to Burton’s rushed reimagining and feels forced.
It seems possible that Burton was attempting to be respectful of Pierre Boulle’s 1963 novel by revealing a modern ape-dominated world in the end, yet at the same time recalling the sensation of that nostalgic beach scene with Lady Liberty in the sand. Whatever he was aiming for, he missed.
Danny Elfman's Magnificent Music
Ah, the sonic magic of Danny Elfman ends our tribute to "Planet of the Apes" as a salute to Burton’s ambitious folly. Elfman and Burton are a melodic combo whose collaboration goes back to 1985’s "Pee-Wee’s Big Adventure" and here Elfman goes for a bombastic sound that utilizes a full range of instrumentals.
His robust, under-appreciated score is composed with droning synthesizer undercurrents, old-fashioned action adventure fanfares, and intense rapid-fire tracks punctuated by brass exclamations and roaring percussion.
It's a more serious piece of musical work that safely avoids the sentimentality and whimsy of earlier scores for Tim Burton projects. This reflects an important evolutionary step for Elfman's maturity as an artist, mirroring some of the movie’s main themes.
"I had been more concerned that the score was going to be more of a traditional, very aggressive Jerry Goldsmith score, which he does so brilliantly, and the fact that it was such an ethereal, otherworldly score, immediately eased all problems I may have had, because I saw that there was not going to be any overlap," Elfman toldSoundtrack Magazine.
"I would have been more concerned, if his score was more traditional and aggressive, of what to avoid, so as to not cross over or step on his toes. So it really became very easy once I watched the movie again after 30-something years. The score was such a beautiful, odd, dissonant piece of work. I felt clearly, this is a completely different animal – no pun intended. Having just seen a rough cut of the film, I knew it was going to be a very big, aggressive, muscular, kind of a tribal, driving score."
The polarizing "Ape Lincoln" monument from the finale of "Planet of the Apes" (Image credit: 20th Century Fox)
In summation, anyone attempting to remake the original "Planet of the Apes" was bound to butt up against intense scrutiny and comparison.
Even if Burton’s vision came up far short of what was intended, we still respect the maverick filmmaker for taking on a tough undertaking on the film’s milestone 25th anniversary.
'Planet of the Apes' is available to watch on Hulu in the US, and on Disney+ in the UK.
