Abandoned Beaver Dam, Tierra del Fuego National Park

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Abandoned Beaver Dam, Tierra del Fuego National Park

In 1946 Argentine administrators imported 50 beavers from Canada, but their goal of spurring a fur trade never took off. Instead, the beavers did, helped by the fact that there are no natural predators here — no wolves, no bears.  The first beavers were let loose in Lake Fagnano in the middle of Tierra del Fuego and from there they spread across a string of islands along the Beagle Channel. Now, a colony has been established on the Brunswick Peninsula in Chile on continental South America, and that has alarmed officials in both countries.  To stem the beaver population, authorities have paid rewards to trappers, but that didn’t have much of an effect because few people here know how to trap. In the tourist town of Ushuaia, they even tried to get restaurants to serve beaver dishes to generate a trade in beaver meat but it never took off. The latest proposal is a complete eradication, to kill every single beaver as both Chile and Argentina have agreed. Logistically, though, it’ll be hard in rugged, wet terrain and then there are the tourists to consider. They come to the region to hike, to take in the penguins, the roaring sea lions, but they also come for the beavers. They are, after all, very cute: round, furry, with buck teeth and long whiskers, and you just can’t fault their work ethic. The authorities say “tourists don’t know the whole story as there are few who are well-informed about the beavers and the damages they cause.”

Our images are printed using premium K3 print technology on Hahnemühle Fine Art Torchon matt photographic paper. The special feature of the light white paper (285 g/m²) is its material: 100% alpha-cellulose defines the characteristically coarse texture. It gives your image a timeless, true-to-the-original charisma with a 3D effect. The hand-made style paper is highly water resistant and the use of premium K3 Epson prints ensures luminous colours and deep blacks for at least 100 years.

Textile print on stretcher frame – a fabric print using modern technology

Your image will be printed on fabric in razor-sharp quality and with brilliant colours and with its subtly textured surface; it transforms any photo into a unique gallery work that is full of life. During the thermal sublimation process, the colours are completely evaporated into the material. The resolution of up to 720 dpi and the enlarged CMYK colour spectrum allows accurate colour reproduction with clear contours. We only use textiles that are free of harmful substances and that have been awarded the internationally recognised Oeko-Tex Standard 100 certification. Your image is mounted on the solid wood stretcher frame in its true form using only, high quality stretcher frames made of solid wood. The spruce wood comes from German suppliers and is sourced from sustainable forests. To give the stretcher frames permanent protection from losing shape, we triple reinforce the corners under the textile print using metal braces. When mounting on the stretcher frame we avoid using wedges – the frame is so stable that you won’t need to loosen or tighten it at a later stage and it will arrive ready to hang.

For any other printing requirements, sizes or framing please contact us and we will be happy to help.

 

 

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