Category: Entertainment

On Episode 224 of This Week In Space, Rod Pyle and guest co-host Rick Jenet are joined by Dr. David Kring to discuss the where, whys, and hows of the Artemis Program's lunar exploration plans.

It has been said that the Moon is a harsh mistress, and nowhere is this more apparent than at the lunar south pole. That is, however, where the Artemis program is headed, and we need to figure out how to best explore the region.

Kring of the Universities Space Research Association's Lunar and Planetary Institute joins us to explore the answers — and risks — that await us.

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Space news of the week

• Dr. Scott Pace

Model Falcon 9!

Finally, did you know you can launch your own SpaceX rocket? Model rocket maker Estes' stunning scale model of a Falcon 9 rocket that you can pick up now. The launchable model is a detailed recreation of the Falcon 9 and retails for $149.99. You can save 10% by using the code IN-COLLECTSPACE at checkout, courtesy of our partners collectSPACE.com.

About This Week In Space

This Week in Space covers the new space age. Every Friday we take a deep dive into a fascinating topic. What's happening with the new race to the moon and other planets? When will SpaceX really send people to Mars?

Join Rod Pyle and Tariq Malik from Space.com as they tackle those questions and more each week on Friday afternoons. You can subscribe today on your favorite podcatcher.

Filming a high-profile episodic TV series like "Star Trek: Strange New Worlds" is often a Herculean task for any professional cast and crew, but toss in massive spaceship sets, a colorful constellation of costume changes, tone and stylistic shifts, hand-to-hand combat, horseback riding, and puppets, and you’ve got a mad sci-fi circus.

We connected with Ethan Peck (Spock), Christina Chong (La’an Noonien-Singh) and Paul Wesley (James T. Kirk) for Paramount+’s "Star Trek: Strange New Worlds'" penultimate season to hear more about the rigors of shooting, genre-hopping, and character evolution.

"Every season feels kind of manic," Peck tells Space. "Grind has such a negative connotation, but it really is a marathon. We lose so much sleep, we have crazy hours, we say crazy things, we even look crazy.

"But I’d say we really found our groove in season four because we’ve had all this experience with these characters. And the writers have had all this experience writing for these actors playing these characters. So we grow over time and become more comfortable. I think that's what allows us to pull off these crazy swings in season four and five, perhaps."

Chong echoes those thoughts and felt like leaping from one genre to the other was far more intense this time around than previous seasons.

"I was also taking horse riding lessons throughout, I was doing fight rehearsals, and then getting to see the digital mockups of our puppets," she shares. "Then we were thinking about how to approach the puppet episode and then obviously the horror of it all. It was a lot of jumping around because of the big genre swings.

"Every season has been incredible so far, and I think this was really upping the stakes. For horse riding, I’ve ridden once before for a show, but it was ten years ago, so it was like starting from scratch again. But we had plenty of time to rehearse. And I absolutely loved my puppet; I thought she was brilliant."

For Wesley, being able to stretch his performance skills by portraying the legendary spacefaring hero and exploring his transcendent connection to Spock has been an immensely rewarding challenge.

"The writers are very good at identifying our strengths and identifying what dialog would suit us, not as our characters but also as actors," he notes. "Having been on the show now for two seasons, I think the writers really were able to give me the ability to play a variety of things like comedy and horror.

"These big swings carry a lot of risk, and what’s so brilliant about this show is that they somehow pull it off," continues Wesley. "It all works. Kudos to the writers, and I'm just really excited for the audience to experience the evolution of Kirk becoming the man they know he’ll be eventually.

"You know these characters as having one of the most iconic friendships on television, but you don’t really know how they met and what brought them there. In the shore leave episode, you get to see Spock express his vulnerabilities inadvertently to Kirk, and they will, in turn, allow them to become closer. These little things are so important because they begin to establish why these characters are so connected in 'TOS.'"

Peck instinctively recognizes that these episodes do a fantastic job of slowly and naturally helping Kirk and Spock build trust with one another.

"It's a great joy and privilege to be able to convey this relationship because it is so iconic," Peck reveals. "And that’s so strange as an actor, to be filling in some of this missing history for these characters that have been around for so long and that were so beautifully performed by other actors before us."

"Star Trek: Strange New Worlds" season 4 is currently streaming on Paramount+, with new episodes arriving each Thursday through the finale episode on Sept. 24, 2026.

LOS ANGELES – On a Saturday evening in Los Angeles, I found myself watching acclaimed actor Elizabeth Banks sing Tom Petty songs along with her fellow actors while writer/director David Wain played the drums. This incredible, bizarre performance celebrated the 25th anniversary of the raunchy, summer camp cult classic "Wet Hot American Summer." But do you remember that it's actually a space movie?

This movie — the debut feature film from co-creators David Wain and Michael Showalter — follows the events of "Camp Firewood," a sleepaway summer camp set in the summer of 1981. It has a cast chock-full of now-A-list actors, including Banks, Bradley Cooper, Paul Rudd, Amy Poehler and so many more. Looking back, it's almost baffling how star-studded the cast really is.

Campy in every sense of the word, the movie manages to balance vulgar jokes with some serious heart. And while the off-color comedy was infamously a box office bomb, this heart has cemented its status as a beloved cult classic, and watching it has become as time-honored a tradition as summer camp itself.

I am personally biased toward this film, as my teenage summers were spent as a camp counselor and the movie hits that perfect, nostalgic sweet spot. But when I sat down to watch the film again on Aug. 8 at an outdoor anniversary screening, I realized it had been many years since I'd actually seen it.

And while I remembered the warm, summer camp vibes, somehow I had completely forgotten something: The movie hinges on the plot that a piece of Skylab (yes, that Skylab) is falling to Earth, and a nearby, vacationing astrophysicist teams up with the nerdy kids at camp to build a homegrown device to try and stop it.

The strangest part? In 1979, Skylab did fall back to Earth, and a couple of pieces actually survived the trip (just not at Camp Firewood).

At its core, this beloved camp movie that I used to watch after camp with my fellow counselors (at our own camp, Summer Parks) is … science fiction. It might seem like a b-plot, but if you find yourself rewatching the film, you might be surprised at how much of a space movie it really is.

The first inklings of this emerge when camp director Beth (Janeane Garofalo) meets astrophysicist Professor Henry Newman (David Hyde Pierce), who is vacationing in a cabin near the camp. She asks if he might come to camp and teach some of the kids about space. And while he at first declines, he soon decides to show up at camp to spend time with some of the kids and chat about outer space.

As other camp hijinks are happening, we occasionally cut back to this group of "indoor kids" in the woods, pretending rocks are planets, having a great time. But at some point, it's revealed that the camp is in grave danger. Not only is a piece of Skylab, the first U.S. space station, falling, but it's headed right for camp! In fact, it's headed right for the talent show that's taking place on the last night of camp (of course).

Henry and his merry band of science-obsessed campers are quick to act, and they work together to cobble together a makeshift Skylab tracking device. But to transform the device so it can divert Skylab, they need to generate random numbers between one and 20. Thank goodness one of the campers just so happens to be carrying a D20 die.

In the end, Skylab does crash-land into camp, but it narrowly misses the talent show, and no one gets hurt. Did the device work? Did another camper demonstrating their wind-generating superpowers at the talent show secretly help out? Or was their Skylab tracking wrong all along?

After camp is finally over for the summer, we get to see the aftermath as campers walk out to their rides home past a giant hunk of the Skylab space station jutting out of the grass.

It's a fun easter egg to see Skylab crashing to Earth in a campy summer camp flick, and during a panel ahead of the screening, the cast and crew revealed that it was a lot of fun for them, too.

According to the panelists, which included Wain, Banks, Joe Lo Truglio (who plays Neil in the film), and Marguerite Moreau (who plays Katie), everyone on the set was taking turns getting their picture taken with Skylab. This is evident in the image above, snapped and shared with us by actor Zak Orth, who plays J.J.

While there were no reported injuries or property damage from the debris, roughly 26 tons of material fell to Earth, some of it surviving the trip and landing in Western Australia.

So in an alternate version of history where Camp Firewood is located in a remote area of Australia, this plot could have been more than science fiction.

Want to relive the sci-fi summer camp glory? To celebrate its 25th anniversary, Wet Hot American Summer is returning to select theaters from Aug. 14-21. If you miss that, you can also buy or rent it on Amazon Prime Video or Apple TV.

SPOILERS AHEAD! ANYONE YET TO WATCH "LEVEL-FIVE TRANSPORTER ACCIDENT" SHOULD PROCEED WITH CAUTION TO AVOID VIOLATING TEMPORAL PRIME DIRECTIVES.

Back in the late '70s and early '80s, A-list stars were queuing up to guest on "The Muppet Show". Over five glorious seasons, the likes of Steve Martin, Diana Ross and Roger Moore were happy to have themselves upstaged by Kermit the Frog and his legendary felt ensemble. Luke Skywalker, R2-D2, C-3PO and Chewbacca even went on a crossover adventure with the show's resident astro-swine, those famous "Pigs in Space".

Now, the Enterprise's very own Mr Spock gets to join this select group by performing alongside the Jim Henson Company's elite puppeteers in "Level-Five Transporter Accident", the latest episode of "Star Trek: Strange New Worlds". And we're delighted to report that the results are every bit as sensational, inspirational, celebrational, and downright Muppetational as anyone could possibly have hoped for.

It's important to reiterate that this episode makes negligible logical or canonical sense. Even within "Star Trek"'s frequently loose interpretation of "science", the idea that Scotty's transporter experiments on family puppet Little Ricky (a slightly disturbing presence, it has to be said) might transform an entire crew into fabric and stuffing is rather outlandish. Even the writers acknowledge they've exceeded the plausibility threshold when they hint that the whole affair took place in Spock's head.

But frankly, who cares about logic or canon when the results are so much madcap fun?

Even though the puppet versions of the Enterprise crew aren't officially Muppets, they're undoubtedly cut from the same cloth as Miss Piggy, Fozzie Bear and the rest. Those extremely talented Henson designers have somehow managed to find the sweet spot between the characters' human incarnations and their hilarious felt forms, whether it's Captain Pike's gravity-defying hair or Scotty's Beaker-esque expression of perpetual concern. The cast also throw themselves into their voice performances, relishing the unashamed comedy opportunities and — to quote T'Pring — "hijinks" of their radically redesigned roles.

"We had to do the [voice work] twice because the first time it was just completely wrong," Pike star Anson Mount told SFX magazine. "When the producers got the cut, they were telling me, 'Just do more, just feel more!' I was like, 'What are you talking about?', but when they played the scenes I was like, 'Oh, I need to do what [the puppeteers] are doing'. I had to set aside my ego for a little bit and follow the puppeteer's cues a little bit more."

Putting these puppets on the actual Enterprise set, rather than a scaled-down comedy recreation, is part of the episode's genius. They're dealing with a ship that isn't built for their new forms, from chairs that are way too big to touchscreen controls that don't work with the three fingers and a thumb of a felt hand.

And then there's Pike's realization that their mission to repel the invading Orion will be dependent on answering a long-standing question from an Oscar-winning song: Are they men (and women), or are they Muppets?

The answer falls affirmatively in the latter camp. The finest puppet crew in Starfleet throw themselves at bad guys like the ragdolls they are, and stand on each other's shoulders to masquerade as human-sized crew members (very "Pinky and the Brain").

They also come to embrace the fact they're essentially immortal — a needle and thread is all Pelia needs to recover from being sliced in half, while this week's redshirt guest star doesn't seem particularly fussed about the giant hole blasted in his midriff. There's also a glorious opportunity for the crew to unleash their inner WALL-E by floating through space without a spaceship. Indeed, it seems that when you're a puppet, your prime directive is fun.

"Strange New Worlds" has, at times, been guilty of overdoing the gimmick episodes, from the one that crossed over with "Lower Decks" to the one that temporarily transformed four members of the crew into Vulcans. There was also, of course, "Subspace Rhapsody", the one where everyone made a song and dance out of everything, but that was essentially a less memorable "Trek" spin on "Buffy the Vampire Slayer"'s classic musical outing, "Once More, With Feeling" — a tuneful frontier also explored by "Scrubs", "Fringe", "It's Always Sunny in Philadelphia" and more.

The great thing about "Level-Five Transporter Accident", however, is that its felt-covered hijinks feel like "Strange New Worlds"' 'thing', rather than a retread of someone else's idea — as well as being a glorious excuse for the characters to embrace their inner Muppet, and literally have the stuffing knocked out of them.

And by advancing Spock's character arc and his relationship with T'Pring — this is presumably the first time Ethan Peck has ever been asked to kiss a puppet — it's also surprisingly pivotal to the show's continuity, just as "Once More…" was to "Buffy"'s sixth season.

It doesn't make a jot of sense, of course — and may just be a figment of Spock's overactive imagination — but it's also one of the most joyous, unashamedly fun episodes of "Star Trek" ever made. If there's any justice in the Alpha Quadrant, fans will be talking about this particular "Level-Five Transporter Accident" for years to come.

New episodes of "Star Trek: Strange New Worlds" debut on Paramount+ on Thursdays.

Despite our love for little "Baby Yoda", "The Mandalorian and Grogu" wasn't the thrilling "Star Wars" feature film to drag fans back to theaters when it dropped back in May. It wasn't bad, but it felt more like a TV special than a cinematic event.

But now the $166 million space opera — recruited from the Disney+ series that ran for three seasons from 2019-2023 — is now about to enter Earth orbit and finally land in the streaming sphere when it hits Disney+ starting Sept. 2, 2026. Will this be the way?

Directed by Jon Favreau and starring Pedro Pascal as the laconic bounty hunter clad in his stylish Beskar armor and also featuring that pint-sized alien dynamo formally known as Baby Yoda, "The Mandalorian and Grogu" was the first big-screen "Star Wars" movie in seven years since 2019's "Star Wars: The Rise of Skywalker."

Could the underperforming spinoff film become a surprise hit with general streaming audiences since that's where the characters were born, or has the dynamic duo's time come and gone?

"The evil Empire has fallen, and Imperial warlords remain scattered throughout the galaxy," states the official synopsis. "As the fledgling New Republic works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin and his young apprentice Grogu."

While some fans would have potentially welcomed a fourth season of "The Mandalorian" — which is where this cobbled-together feature was derived from — the majority of disgruntled "Star Wars" acolytes were still wincing from the series' lackluster third outing (yes, we're staring at you, Jack Black and Lizzo!).

As they say, time heals all wounds, and despite disappointing reviews and fan reactions, the movie did manage to scrape together $345 million worldwide. Now that it's coming back to its streaming home, perhaps all will be forgiven? We're certainly willing to give it another shot or a fair first screening. How about you?

Also starring Sigourney Weaver and Jeremy Allen White, "The Mandalorian and Grogu" steers its way back onto Disney+ beginning on Sept. 2, 2026.

Ringed worlds seem to be a fertile source of science fiction material, whether it be in sci-fi master Larry Niven's circular alien constructs in his "Ringworld" novels, the spherical megastructures of "Halo's" video game universe — which just launched its "Campaign Evolved" remake of the original game for PS5 and Xbox Series X|S on July 28 — or the ringed orbital habitat for the ultra-rich depicted in director Neill Blomkamp's 2013 sci-fi flick, "Elysium."

Leave it to the funny folks at Hulu's "Futurama" to tap into that popular trope in the latest episode titled "Lords of the Ring," where the Planet Express crew crash-lands on a strange world whose shape resembles a colossal space ring.

This weird location is inhabited entirely by super-smart rats, and it's not long before Fry, Leela, Amy, Bender, Hermes, Zoidberg and Professor Farnsworth are embroiled in a mission to figure out how this all came to be. "Futurama" Season 14 just blasted off Aug. 3, so there's plenty of time to catch up with the zany far-future antics.

"'Lords of the Ring' is absolutely loaded up with references and inspirations from classic sci-fi, even by our standards," showrunner David X. Cohen tells Space. "To begin with, the setting of the episode is a massive 'space ring' that creates its own artificial gravity as it rotates. I am a huge fan of space rings.

"The classic influence, of course, is the novel 'Ringworld' by Larry Niven, often cited as a prime example of the 'Big Dumb Object' genre of science fiction. It's a very memorable book, but the part you remember is the ring. If you have to pick one or the other, I'd recommend the 'Futurama' episode for more action."

Another influential ring for series executive producer Cohen, and a particular favorite of episode writer Bill Odenkirk, is the elegant orbiting space station seen in Stanley Kubrick's "2001: A Space Odyssey" from 1968.

"I think in our earliest discussion of the episode he proposed something more like that, but it evolved as we pitched out the story from a small orbiting ring into a medium-sized big dumb space ring," he adds. "I need to mention that both Bill and I played a lot of 'Halo' back in the early 'Futurama' days and that surely lurked in the back of our minds.

"Aside from rings, the episode draws influence from 'Planet of the Apes.' If not for the whole ring aspect, we could have called it 'Planet of the Rats.' Several aspects of the episode, including the idea of forbidden ancient relics and the non-human mammal civilization, take inspiration from 'Planet of the Apes.' I guess it's an example of convergent evolution… all mammals in science fiction eventually evolve to run their own terrifying Planet-of-the-Whatever. And lastly... I'll mention there are some Easter-Egg references to the classic 'Rats of NIMH.' Keep an eye out!"

Spectacular visuals presented in this seriously geeky episode are another standout for Cohen, who claims it's one of his favorites of the new season.

"The director, Crystal Chesney Thompson, actually had pet rats, and she really brought this insane world to life," he notes. "The rat acting as they switch between animal and human behaviors is hilarious, the ring itself is one of the most glorious things ever seen in the series, and the stylized section depicting the mysterious backstory of the ring world is a classic. I hope our nerding out over the details comes through!"

"Futurama" Season 14 currently airs on Hulu, with new episodes arriving each Monday through Sept. 28, 2026. "Lords of the Ring" aired on August 17, so it's available to watch right now.

After a solid but often unfocused debut in 2023, Ahsoka season 2 has finally kicked off its marketing campaign with a stellar first trailer that promises higher stakes and a much bigger scale when it premieres on Disney Plus early next year.

As part of the D23 2026 celebrations, Disney and Lucasfilm shared a first look at the long-in-the-works second season of the live-action show – set between Return of the Jedi and The Force Awakens – on August 15. Moreover, we now have a premiere date: January 20, 2027.

"Are you a Jedi... or not?" asks Anakin Skywalker, a prominent figure in the action-packed teaser trailer, after briefly appearing in Season 1 with a subtler role.

It's clear Lucasfilm and fans of the prequels wanted to see more of Hayden Christensen as the Chosen One, and series creator, director, and writer Dave Filoni — now also president and CCO at the studio — plans on delivering exactly that through both flashbacks (Who is that Jedi with a new saber design?!) and Force ghost moments.

But that's only the tip of the iceberg, as the first look at Ahsoka season 2 also has huge space battles worthy of the big screen, Imperial villain Grand Admiral Thrawn (Lars Mikkelsen) threatening the New Republic – which he refuses to acknowledge as more than Rebels – Ezra Bridger (Eman Esfandi) taking the fight to Dathomir, and Ahsoka Tano (Rosario Dawson) and Sabine Wren (Natasha Liu Bordizzo) trying to find a way back to the main galaxy.

Meanwhile, the fallen Jedi Baylan Skoll (Rory McCann) wants to uncover a lost power that could change everything. If you know, you know. Alongside the first trailer, Disney and Lucasfilm also shared a first poster with a striking visual style:

Of course, almost none of this will make sense if you haven't watched The Clone Wars and Star Wars Rebels — some of the best Star Wars TV shows around — but it's a trip we recommend embarking on if you enjoy the franchise's more mystical side and have lots of free time.

In Brightest Day, In Blackest Night… Come on, you know the rest!

DC Comics' Green Lantern Corps. spans the infinite boundaries of the cosmos with its legion of 7,204 intergalactic space cops representing all races, genders, and biological entities patrolling thousands of Guardian sectors of the universe.

The fabled interstellar law enforcement society based on the planet Oa, armed with the coolest oath ever recited, is getting its own gritty, grounded "Lanterns" TV series and fans are eagerly awaiting the arrival of their intrepid emerald ring-wearing heroes capable of manifesting an incredible arsenal of colorful mental constructs.

Specific plot elements remain secretive and we're unsure which side of morality we’ll ultimately find Hal Jordan (Kyle Chandler) and his upstart John Stewart (Aaron Pierre) .

Power up and let's parade into all the details of how to watch HBO's "Lanterns!"

When Is The "Lanterns' Release Date?

"Lanterns" streaks into our galactic sector for its 8-episode debut on Sunday, Aug. 16, 2026 at 9 p.m. ET and PT.

Subsequent green-tinted chapters will manifest themselves each Sunday night until its season finale arrives on Oct. 4, 2026.

How To Watch "Lanterns"

"Lanterns" will be available to view exclusively for HBO cable TV subscribers and will also stream simultaneously on HBO Max for its customers.

If you want to check out "Lanterns" or any of the other great shows on HBO and HBO Max while you're abroad, you can also use a VPN to access your subscription from anywhere in the world.

Sorry, but it doesn’t work so well if you just happen to find yourself anywhere outside Space Sector 2814.

What is the plot of "Lanterns?"

This edgy, modern day Green Lantern makeover is infused with hardboiled detective overtones that finds veteran galactic peacekeeper Hal Jordan teaming up with a fresh new protégé, John Stewart, as they investigate a series of strange homicides in America’s midwestern heartland.

There’s a fun mentor/mentee relationship at the forefront that reveals the truth of Hal not really training a new recruit, but grooming a replacement.

Don’t think "Lanterns" is purely Earthbound though, as there’s plenty of alien invasion action with eerie shape-shifting Manhunters marauding in Nebraska and some spooky space action on a remote prison planet where the devilish Sinestro is incarcerated.

Its original lore began back during the Golden Age of Comics in the pages of 1940's "All-American Comics #16" with the first Green Lantern, Alan Scott, before vaulting into his own series in 1941.

Over the decades, some of the greatest comic book stories have been centered around this imposing force. Of special note are Denny O’Neil and Neal Adams’ moving "Green Lantern/Green Arrow" run (1970-1972) and Grant Morrison and Liam Sharp's psychedelic epic, "The Green Lantern: Intergalactic Lawman" (2018-2021).

Are There Any "Lanterns" Teasers and Trailers?

You bet your kiloton of Kilowog there are!

An underwhelming and nearly green-less teaser first dropped back in March to the enormous groans of Green Lantern faithful everywhere. That was followed by an impressive July trailer that had us all gasping at the influx of green, causing us to deliver a collective sigh of relief.

We saw a multitude of cool constructs, weapons and forcefields emanating from that prized emerald-cast jewelry, a few glimpses of the iconic Green Lantern supersuits, some tall morphing extraterrestrials and the red-skinned Sinestro in a cosmic jail.

This week as a special treat, HBO release the first five minutes of the premiere episode that looks fantastic and reveals a much younger Hal Jordan being interviewed in 1996 and John Stewart's abusive family backstory involving a gun and an apple!

Who Are "Lanterns"' cast and creators?

Besides our gallant space patrol stars Chandler and Pierre, "Lanterns"' eclectic cast also includes Ulrich Thomsen as Sinestro, Nathan Fillion as Guy Gardner, Kelly Macdonald, Garret Dillahunt, Poorna Jagannathan, Laura Linney, Jason Ritter, J. Alphonse Nicholson and Jasmine Cephas Jones.

Chris Mundy ("True Detective: Night Country") serves as "Lanterns"' showrunner, executive producer, and co-writer. It's penned in collaboration with Damon Lindelof ("Lost," "Watchmen") and seasoned comic book wordsmith Tom King ("Supergirl"). Directors for the 8 episodes include James Hawes, Stephen Williams, Geeta Vasant Patel, and Alik Sakharov. Based on the flagship DC Comics characters, "Lanterns" alights from HBO, Warner Bros. Television and DC Studios.

Will There Be A "Lanterns" Season 2?

Although no formal announcement has been made by HBO or Warner Bros. Television as of this writing, it seems very likely there will be a "Lanterns" season 2.

The writers room has already been staffed and is currently mapping out a sophomore outing led by screenwriter and comic book aficionado Christopher Cantwell ("Halt and Catch Fire"). Damon Lindelof won’t return as a co-writer for season 2.